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Oil Paintings Come From United Kingdom
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Quentin Matsys
Flemish Northern Renaissance Painter, ca.1465-1530,Flemish painter. After studying in Louvain, he moved to Antwerp by 1491, remaining in that city throughout his life. Influences of Italian art, especially of Leonardo da Vinci, may be seen in his work, particularly in the delicate modeling, the subtle nuances of tone, and in the adoption of Leonardo's grotesque head studies for such pictures as The Old Man (Jacquemart-Andre Mus., Paris) and Ugly Duchess (National Gall., London). Massys sought inspiration also in works of earlier Flemish artists, especially of Jan van Eyck. The combined Flemish and Italian influences aided Massys in evolving a calm and measured style, with solid figures and soft textures. He developed a type of portraiture in which the sitter was placed against an appropriate background, as in his painting of St. Erasmus surrounded by books and papers (National Gall., Rome). There are religious subjects and portraits by Massys in the museums of Munich, Brussels, Antwerp, Chicago, and Philadelphia. Quentin's son, Jan Massys, c.1509?C1575, painted satirical and later more elegant works under French influence. Judith (Mus. of Fine Arts, Boston) is characteristic. Another son, Cornelis Massys, d. after 1560, was a landscape painter and engraver.

 

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Quentin Matsys St John Altarpiece oil painting

Painting ID::  89331

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Quentin Matsys
St John Altarpiece
between 1507(1507) and 1508(1508) Medium oil on wood cyf
   
   
     

 

 

Quentin Matsys St John Altarpiece oil painting

Painting ID::  89332

X 
 

Quentin Matsys
St John Altarpiece
between 1507(1507) and 1508(1508) Medium oil on wood cyf
   
   
     

 

 

Quentin Matsys St John Altarpiece oil painting

Painting ID::  89333

X 
 

Quentin Matsys
St John Altarpiece
between 1507(1507) and 1508(1508) Medium oil on wood cyf
   
   
     

 

 

Quentin Matsys The Virgin Enthroned oil painting

Painting ID::  89745

X 
 

Quentin Matsys
The Virgin Enthroned
1525(1525) Medium oil on panel cyf
   
   
     

 

 

Quentin Matsys The Adoration of the Magi oil painting

Painting ID::  89746

X 
 

Quentin Matsys
The Adoration of the Magi
1526(1526) Medium tempera and oil on wood cyf
   
   
     

 

 

Quentin Matsys The Virgin and Child Enthroned, with Four Angels oil painting

Painting ID::  90545

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Quentin Matsys
The Virgin and Child Enthroned, with Four Angels
oil on oak Dimensions Height: 62.2 cm (24.5 in). Width: 43.2 cm (17 in). cjr
   
   
     

 

 

Quentin Matsys Christ on the Cross with Donors oil painting

Painting ID::  90570

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Quentin Matsys
Christ on the Cross with Donors
1520(1520) Medium oil on panel cyf
   
   
     

 

 

Quentin Matsys Portrait of an Old Man oil painting

Painting ID::  91196

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Quentin Matsys
Portrait of an Old Man
1517(1517) Medium oil on panel Dimensions Height: 48 cm (18.9 in). Width: 37 cm (14.6 in). cyf
   
   
     

 

 

Quentin Matsys Portrait of Pieter Gillis oil painting

Painting ID::  92106

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Quentin Matsys
Portrait of Pieter Gillis
1517(1517) Medium Oil on panel, transferred to canvas Dimensions Height: 59 cm (23.2 in). Width: 47 cm (18.5 in). cyf
   
   
     

 

 

Quentin Matsys The Virgin and Child oil painting

Painting ID::  92472

X 
 

Quentin Matsys
The Virgin and Child
c. 1529(1529) Medium oil on oak panel Dimensions Height: 75 cm (29.5 in). Width: 63 cm (24.8 in). cjr
   
   
     

 

 

Quentin Matsys Ecce Homo oil painting

Painting ID::  93657

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Quentin Matsys
Ecce Homo
1526(1526) Medium oil on panel Dimensions Height: 95 cm (37.4 in). Width: 74 cm (29.1 in). cjr
   
   
     

 

 

Quentin Matsys Matched Marriage oil painting

Painting ID::  94755

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Quentin Matsys
Matched Marriage
1525-1530 Type Oil on panel Dimensions 54 cm x 89 cm (21 in x 35 in) cyf
   
   
     

 

 

Quentin Matsys The Adoration of the Magi oil painting

Painting ID::  97749

X 
 

Quentin Matsys
The Adoration of the Magi
1526(1526) Medium tempera and oil on wood cyf
   
   
     

 

       Prev    1  2

 

Quentin Matsys
Flemish Northern Renaissance Painter, ca.1465-1530,Flemish painter. After studying in Louvain, he moved to Antwerp by 1491, remaining in that city throughout his life. Influences of Italian art, especially of Leonardo da Vinci, may be seen in his work, particularly in the delicate modeling, the subtle nuances of tone, and in the adoption of Leonardo's grotesque head studies for such pictures as The Old Man (Jacquemart-Andre Mus., Paris) and Ugly Duchess (National Gall., London). Massys sought inspiration also in works of earlier Flemish artists, especially of Jan van Eyck. The combined Flemish and Italian influences aided Massys in evolving a calm and measured style, with solid figures and soft textures. He developed a type of portraiture in which the sitter was placed against an appropriate background, as in his painting of St. Erasmus surrounded by books and papers (National Gall., Rome). There are religious subjects and portraits by Massys in the museums of Munich, Brussels, Antwerp, Chicago, and Philadelphia. Quentin's son, Jan Massys, c.1509?C1575, painted satirical and later more elegant works under French influence. Judith (Mus. of Fine Arts, Boston) is characteristic. Another son, Cornelis Massys, d. after 1560, was a landscape painter and engraver.